Stroke Patient Communication Board

The private versus the public's misunderstanding

The debate over the existence of a network of private schools could resurface with this . Indeed, Quebec Solidarity announced that his party wants to remove subsidies to the private network to provide the public network. (All that is not the subject line on the site of the party)

You could actually doubt my objectivity because I teach at private . The private network may nevertheless be advantageous to finance public schools. As citizens of Quebec, the parents of private network which pay taxes to subsidize the public network and they also pay school taxes that are used to maintain the schools and the public network.

If we eliminate subsidies to the private network, the majority of parents who send their children can no longer afford to pay the full amount. This will increase the number of pupils in schools public, who will therefore need more money to achieve their ends.

The solution would be to have private schools and there is no selection of pupils.

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Voyager, observe ...

In this issue we offer a break travel around the texts of the Argentine writer Jorge Luis Borges, displayed at an exhibition that held in Paris between September and early November. A pause to dive into the mind essential to the writer, which we have not yet dared to speak up. Texts, accompanied by pictures of places we have facilitated the trip around the mind of the writer, so we transcribed our assessments.
In addition, as we speak this month literature, we want to leave room for letters Argentine general and present another writer that we have discovered here in Paris. In this way, we find a special link between many writers, some better known than others, that is to travel, observe and ultimately write.

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write "The Atlas of Borges'

We want to talk about Borges very long time, but the complexity and richness of his work was rejected each time the time to make it so. Writer unusual, Jorge Luis Borges (1899-1986) is the emblem of Argentine literature, recognized as one of the pioneers of
"magical realism" as a literary currents, he defended a literature which is not limited to model the boring world we live in, but becomes fiction.
The time to talk about it finally arrived. The exhibition held in Paris in early September in the House Latin America, is the long-awaited opportunity to dive into a few lines the world of ideas related to the name of this writer.
Argentines in general, we "fear of Borges, it's part of our desire and both of our fear of entering a deep and complex prose but described as a person's soul" portena ", thus revealing the identity of the inhabitant of Buenos Aires. Maybe the anxiety that we feel does not disappoint this exquisite example of mind that our writer found in Argentina. "There is a before and after Borges literature ", a phrase often heard in literary circles, but how to overcome this intellectual pressure?. And here
exposure. It is a relief to address the anguish of the writer as it reveals its most human, her passion for travel and love to those who accompanied him in many corners of the globe and has become his wife shortly before his death.

"... During our stay pleasant on earth, María Kodama and I have traveled and done many delights of our country, which resulted in many photographs and in many texts. " [ 1]

With these words of the prologue of the " Atlas " of the writer, that exposure Atlas Borges began to immerse the visitor in a journey through the cities of the world through pictures and texts.
Photos taken by Maria Kodama are accompanied by texts of the writer. Curious union of image and speech, as if the image does not in itself sufficient, literature completes this magical world that the image sometimes can not describe, to save trouble real. Result of the merger that existed between these two people and happens to bring out the magic of each place. The look of the one and the thought of another look and thought merged in the particular scope in each location.
Thus a river confluence of thoughts to give, for example, a description of a city like Geneva, where the thought of the writer intrudes into the most intimate aspects of the city, to capture its spirit, its essence, its very reason to exist as such:

"Unlike other cities, Geneva is not pompous. Paris is aware that is Paris, London the decorous knows she is in London, Geneva barely knows she is Geneva. The long shadows of Calvin, Rousseau, Amiel and Ferdinand Hodler are there but nobody talks about the traveler. " [2]

The texts of the Atlas "show us that he looked, considered every place he traveled as an entity that speaks for itself. His gaze landed on a writer details the most overlooked of these places, not so much the aesthetic side, Rather, what interested Borges was "the raison d'être"

"In every city there are fountains, but their purpose is very diverse. In Arab countries they meet an old nostalgia deserts, where people know that poets sang the tank and the oasis. In Italy, they seem to satisfy this desire of beauty peculiar to the Italian soul " [3]

Thus, the texts in the exhibition, we understand the complexity in reading of Borges' work does not come from the complicated topics, but its special to look at what could be simpler and penetrate into the essence of each thing. Superficiality, which distracts the eye can detect, does not interest him, what he wants to take it's intimate, profound, something that the curious gaze is not afraid to linger.
Suddenly, the fear of addressing the writer disappears, we become the intellectual man on earth who is not afraid to discover.

[1] Jorge Luis Borges, Prologue to the book Atlas.
[2] Jorge Luis Borges Atlas "Geneva".
[3] Jorge Luis Borges, Atlas "Fountains".

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A place for a writer

In this issue, Break would make Guillermo Octavio Carlevaro, an Argentine writer who shared his time between Buenos Aires and Paris. A selection of typical life of a large number of Argentine intellectuals.
One day, Elsa Carlevaro, contacted Break to let us know this man who had plunged into writing in different moments of his life. Today, Elsa met leaves her husband and has edited two books.
Break therefore wanted to give it up so that his works reach readers who share, as GO Carlevaro and as this magazine, interest in Argentina and France, and in this way, all those interested and want to continue reading this writer can do.
Elsa was asked to present the writer who was her husband, because nobody will know better than she does introduce us to his story: Guillermo Octavio

Carlevaro (1929-1968) born in Concordia, a town the province of Entre Rios of Argentina. He then lived in the city of Buenos Aires and several European countries, including France. He knew very well the peculiarities of the life of the Argentine countryside to experience life after the big cities and other walks, staying in various countries around the world.
A feature of his mind: the rigorous studies that contrasted with a certain lightness to face daily. He had a sensitive mind, which could be characterized by the phrase Knut Hamsum: "I could die for a word that is too hard." can be defined as GO Carlevaro by quotations from writers, him that even if appropriated: "Me, I laugh at everything, even what I like most" G. Flaubert: "What interests me most is the passionate energy of the Thought "by Robert Musil . He's pushing his own writing by academics and teaching obligations. While waiting for suitable s idleness to occupy his writings, he was surprised by his final departure and cruel to all who knew him.
After his death, two books with pages of his notebooks were published in his honor: Greetings [1] et Cyclists in the air [2] . Ces livres contiennent des Réflexions philosophiques sur des sujets, joins Certaine perception du quotidien et de l'intimité dans l'interrelation. Dans
Greetings on peut lire: "Time passes without noticing and it may take up to more familiar things suddenly disappear or hide and spy on us from somewhere as unknown. When it occurs I shrug my shoulders as to a fact against which I can not do anything. Hopeless task, there is a perverse effect on the accumulated tanto es así that nadie da un paso sin consecuencia. . ". [3]
In the back of the book Ciclista en el area we read:" desecrates GOCarlevaro science and fact own the thought of Robert Musil, "The main mistake: too much theory "and he offers us as if we were cycling in air, different ways of thinking go. "The books
Guillermo Octavio Carlevaro, Saludos and Ciclista en el area , are in the library of the Cultural Service of Argentina Embassy in Paris.

Elsa Carlevaro

[1] Saludos: Ed Vinciguerra-Buenos Aires, 2001.
[2] Ciclista en el area: Ed Deldragón-Buenos Aires, 2006
[3] The book is in English, we offer the following translation of this fragment: "Time goes by that we s 'and it happens in noticing that even the most familiar things suddenly disappear or hide and spy on us from somewhere as to strangers. When this happens, I lower my shoulders like a fait cons that I can not do anything. Spot useless and there is a perverse effect in the accumulation, Such is the finding that nobody can take a step without any consequences ... "

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people. Aberrant

few years ago, before the implementation of education reform, a petition began circulating via e-mail to tell people that the MELS had decided to eliminate the arts during high school options.

This petition has stopped after a portion of the population has become aware of the contents of the education reform, ie that the arts courses to give 5 years on a mandatory basis. In recent days, I received this petition on 5 occasions to different people. The last contention comes from a knowledge of the bacc. who taught high school that combines the Harper government's cuts with this petition.

It is crazy to see how people can make associations between elements that should not be involved.

I know I'm just off my chest, but I needed to do.